Born in Prague, Czech Republic and based on the southern coast of the UK, Miroslava Vecerova works across sculpture, drawing, performance, installation and film, moving fluidly between abstraction and figuration. Her practice is rooted in an intuitive, process-led and research-informed approach, engaging with themes of environmental imagination, deep time, temporal fluidity, embodied ecology and shifting knowledge across cultures. This manifests as a reciprocity with the living world, an immersion that collapses the boundary between the observer and the environment.

Tracing the emotional and relational currents that flow between human and more-than-human worlds and attuned to nature’s cycles of transformation, she navigates the shifting boundaries between what is fossilised and what flows, moving between the ancient and the contemporary, the static and the ephemeral, the mythic and the everyday. Through this receptivity she reveals subtle connections between the human body, the natural world and the unseen forces that animate both, treating the human body itself as a porous entity deeply intertwined with mineral, aquatic and cosmic systems.

Her work maps emotional and ecological patterns, reflecting the entanglements between humans, places, and other species — from animals and plants to minerals. Recent works focus on the porous meeting points of living forms with land, water, sky, and beyond, exploring how tactile boundaries overlap, blur or dissolve in these liminal environments. By approaching these particulate realms from the inside out, she invites elemental agents to become active collaborators. Within forged structures, thresholds are illuminated, perceptions shift and ecological multilogues awaken.

She holds a Master's degree in Fine Art from the Academy of Arts, Architecture and Design in Prague, a Bachelor's degree in Photography from Camberwell College of Arts in London and a Foundation in Dance Movement Psychotherapy from Goldsmiths University. She recently completed the Flatland Projects Early Career Studio Programme (2023) and was commissioned for a live performance at the De La Warr Pavilion (2025) in Bexhill-on-Sea and National Gallery in Prague (2026). Her work is included in the permanent public collection of contemporary art at GHMP and has been exhibited at Every Woman Biennial, London (2021) and Art Basel Hong Kong (2026).

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UPCOMING

2026 Symbiosis 3.0: Artificial Flavour, Sata & Berlinskej Model, part of Art Basel Hong Kong week

RECENT

2026 Arietis Sisters and the Sun, National Gallery Prague

2025 ZUBENELAKRAB, De La Warr Pavilion